On the heels of next week’s CMJ festival in NYC, Tim Williams is exemplary of the local favorites you are bound to find there.
We are all part of a certain generation, whether it involves flower children or hair-metal. I was born in the late ’80s, so I
In an age where audible masculinity is often associated with loud guitars and aggressive screaming, you are really putting yourself out in the open
The “Omaha Sound” is one of the few stylistically determinable phrases of this decade that lacks pretentiousness and overwrought conceptual tasks. To describe a
It is hard enough to stand out in the music industry, both in regard to the attention one receives and how long they are
Even if it brings necessary experience and helpful recognition, having a lengthy career also ignites some associations that can be highly detrimental to an
Melodramatics and optimists certainly do not go hand-in-hand, even if some of their ideologies appear to overlap. Both can have be flawed in thinking
Any music fan can recognize the importance of collaboration in a finished product, regardless of whether they have the liner notes in front of
Listening or creating music can easily be labeled as a hobby, as it most commonly is. But for many musicians, its incorporation into one’s
The media has an interesting way of molding stereotypes within the music industry, regardless of the feature’s innovation or commitment. If a style, song,
