At 49, Wayne Coyne and his quartet of space-a-delic freaks have earned a Grammy, covered Pink Floyd’s “The Dark Side of the Moon” in
I am interested to see what this decade brings to Swedish pop music. One would be hesitant to call the ’00s a moment of
To say that Lymbyc Systym represent the next large movement might be an overstatement, but their methodology is certainly becoming more prevalent among emerging
Continuing with the recent theme of atmospheric pop music that Washed Out and Neon Indian showed us, Her Vanished Grace deliver a similar sort
Continuing with the stream of CMJ-bound artists, The Library are a bit different from what many expect at a festival of CMJ’s often frenetic
It would be nice if all New Yorkers were given next week off for the sake of new music. CMJ’s Music Marathon is already
To describe Aficionado as a sudden output of energy would probably the most accurate, as I doubt many bands possess the cumulative energy of
Identifying the differences between concise indie-rock and avant-garde developments are more complex than analyzing track’s duration and selection of instrumentation. There are supremely talented
The “Omaha Sound” is one of the few stylistically determinable phrases of this decade that lacks pretentiousness and overwrought conceptual tasks. To describe a
It is hard enough to stand out in the music industry, both in regard to the attention one receives and how long they are
