Melyssa takes a look at a handful of unexposed folk artists, with their new releases serving as very suitable autumn listening. A one-man project
When an artist embarks on a solo project at a young age, the pursuit is commendable. Such ambition is shown on the full-length album
Shades of Springsteen’s Nebraska bristle within Lewis’ subtle yet stunning compositions. He gently plucks his acoustics, touting a bluesy swagger with a touch of
Like many Elephant 6 acts, the solo project of Olivia Tremor Control keyboardist Peter Erchick has a mysterious enigma that is propelled by not
Cass McCombs’ fifth full-length, Wit’s End, is a natural progression. His early material showcased an infatuation for intricately produced psych-rock, never becoming indulgent enough
