Justin Russo follows up a pleasing debut with a more expansively fulfilling continuation of his enjoyable style: infectiously majestic orchestral chamber-pop with hints of
The effect that the use of strings has on a band’s degree of singularity often impresses me, granting illustrious moments of emotional potency even
Solo projects usually tend to be a capricious affair, either structurally reflective of the main songwriter’s prior project or entirely incomparable in delivery and
International success has an odd way of distinguishing itself. An artist could be recognized on the streets of their native country by virtually every
Can this acclaimed four-piece from the UK live up to hefty expectations on their debut? Through powerful, piano-led melodies, the result is satisfying enough.
When a band has the confidence to call one of their songs “Sick Hipster Nursed by Suicide Girl”, they do not leave much room
My latest review takes a look at the talented B.C. Camplight’s second album, Blink of a Nihilist. The Philadelphia native conquers his own personal
When Britain’s most infamous tabloid newspaper, The Sun, published a few months ago that Paul Weller and Graham Coxon were in the studio working
In the daring realm of pop music that is both otherworldly and unconventional, there are doubly-named modern bands like Man Man or Xiu Xiu
For fans of Becky Stark’s self-produced modern operetta, “Bird Songs of the Bauharoque”, it hardly came as a surprise when she hit it big
