When projects attempt to be conceptual in both their style and purpose, there arises a sensitive area where criticism has difficulty retreating from the
On the heels of next week’s CMJ festival in NYC, Tim Williams is exemplary of the local favorites you are bound to find there.
We are producers. We make music for you. This is what UltraChorus convey on their web site, almost sounding like they cater to artists
To describe Aficionado as a sudden output of energy would probably the most accurate, as I doubt many bands possess the cumulative energy of
Thanks to all those that participated in last week’s survey. I am always looking for ways to improve the site and unbiased, constructive criticism
Most of the time, this site features artists that are deemed “obscure” despite some recent buzz. An artist previously covered by a major publication
Any music fan can recognize the importance of collaboration in a finished product, regardless of whether they have the liner notes in front of
Listening or creating music can easily be labeled as a hobby, as it most commonly is. But for many musicians, its incorporation into one’s
The media has an interesting way of molding stereotypes within the music industry, regardless of the feature’s innovation or commitment. If a style, song,
In one room sits a huddled group of professionals, ranging from for-pay songwriters to conniving promoters. Their eyes are all on a whiteboard that
