Black Partridge comprises two brothers from Illinois. The duo have a unique sound that fuses lo-fi rock and pop with caressing sentiments of shoegaze
Hailing from the small university town of Ann Arbor, Jonathan Visger’s solo project Absofacto produces a delightful sound that reconstitutes the ghosts of indie
Melyssa takes a look at a handful of unexposed folk artists, with their new releases serving as very suitable autumn listening. A one-man project
Treefight for Sunlight is an apt name for the Danish four-piece. Well, the Sunlight part at least. Their sun-drenched, euphoric harmonies emit every existing
Pittsburgh-based duo Ennui tout the shimmering guitar riffs, glossy reverb, and meekly pastoral vocals of many dream-pop acts, but labeling them singularly as a
Bad Braids is a very intimate project, clearly intended to showcase the beautiful talents of Megan Biscieglia. Her talents as a guitarist, vocalist, and
I have heard several people complain about this phenomenon of “lo-fi” artists. Why hide songwriting under layers of incoherence, they usually ask, if the
Christopher Owens reached indie-rock gold by the end of last year. After steadily putting out a handful of singles throughout the year – “Hellhole
I have no complaints about post-punk fetishism. If an artist justifies their attempts to replicate the dark, grumbling moodiness of bands like The Chameleons
Altar Eagle are content under layers of gauziness, the duo’s music emitting the type of confidence and nostalgic yearning that triggered attention for Beach
