When The Mars Volta emerged in 2002 with De-Loused in the Comatorium, one of the most uniquely exciting debuts of the past several years,
After deciding to drastically increase their usage of strings, the controversial four-piece follows up on their debut with an album that suffers from familiarly
I always find local labels to be something of a quaint necessity in the world of independent music. Most major labels could care less
Though such a statement may ring of dramatized pessimism, it is near impossible for a Japanese band to find a substantial following in the
I always get excited when winter arrives, making it somewhat ironic that I get even more excited when the season is about to pass.
Regardless of the industry they work in, getting fired is something that most people have dreaded at one point in their life. Not only
It is always interesting to explore the new solo project of an artist whose familiarity remains strong to the listener, primarily because of a
Our digital age allows for the mass production and distribution of all niches of music. Before technology arose into a stage of universal accessibility,
Though his talented songwriting is worth considerable praise alone, fans of Antony Hegarty often find it easiest to distinguish the English singer/songwriter by his
Though the album’s name and cover art provide ample indication of its overlying theme, it is the first line on Ann Vriend‘s third album,
