The brief though wholly successful “ODE2K0IPT.2” is the latest track from PoetX, a recording artist, poet, and author born in Philadelphia, PA and raised in Newark, DE. Touting a spacey feel reminiscent
New Tracks
The bursting synth-pop intro on “Peripheral” seamlessly transitions to a lush, lounge-y relaxer — a mellow bass line, caressing piano, and butter-smooth duet vocals leading the way. The synth emerge again at
Nashville-based artist Thad Kopec unveils an intimate, haunting sound on the engrossing new track “Mirror.” Acoustical trickles and a lush key progression accompany his mellow vocals to start, transitioning around 01:30 to
Henry Hall’s latest is a moving crooner featuring creaky acoustics and piano smatterings, reminiscent aesthetically of Grizzly Bear. From brisk hook-filled rockers like “Comfort Zone” to quainter more folk-inclined efforts like “Missing
I first caught onto John War with his stylish, atmospheric cover of Glen Campbell’s “Wichita Lineman” a couple years ago. It was a nice showcase of his aesthetic, which is continued with
“Security” is a newly released track from Vienna-based trio The Faded North, the second single off their new EP What Did I Miss?, also releasing this month. Comprised of immigrants from the
“Bet” is a catchy, soulful track from Minneapolis-based hip-hop group iLLism, off their second studio album iLLuminate. The husband-wife duo have been rising since becoming a top three finalist in Prince’s Paisley
Villows returns with another successful track in “Revel.” The effort touts a danceable, club-laden chorus that plays effectively off the suave verses, led by trickling guitars and a warbled synth lead. The
New Albums
Spanning bluesy indie folk warmth, rock charge, and intimate acoustic sincerity, Mike Stocksdale‘s Connectors is a seamless, story-driven journey threading societal anxiety,
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A lived-in and optimistic rock display, We Live In Hope is the self-produced fourth album from Bedford, UK-based artist Last Days of
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A blissfully layered darkgaze and shoegaze convergence appeals across Forever Could Never Be, a collaborative remix album from Portland, OR-based artist Kallai.
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Layering dreamy synths and captivating guitar work alongside themes of personal survival, historical memory, and defiance against adversity, Our Lady of the
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