New Tracks

Andrew Shier – “Cultures”

Released today, “Cultures” is a track that nicely exemplifies the melodically consuming, bustling sound of Andrew Shier. The track represents the Canadian artist’s sixth single of 2019 so far, described by Shier

Bryan Dubay – “Driving North”

“Driving North” is the debut single from singer/songwriter Bryan Dubay. Dubay, who has been playing music for over two decades, succeeds with an authentic-sounding track in “Driving North” that sits within a

Hania Obeah – “Ysp”

“Ysp” is an entrancing and atmospheric effort from Hania Obeah, a multi-instrumentalist from Paris, France. The track comes from the just-released album Mind Code, described as “an exploration of the possible use

Tim Ayre – “LAXX”

Australian musician Tim Ayre impresses on new track “LAXX” with a sound that resembles Tame Impala’s psych-friendly bounce. Serene analog synths and an evolving vocal presence, escalating from the verses’ nonchalance into

Salty Springs – “What happened to Tilted?”

Releasing over the weekend, PDX producer Salty Springs’ new track “What happened to Tilted?” is an atmospheric gem that intoxicates with live drums, guitar, bass, and keys. A scenic synth pad with

Redwood – “March”

Developing with an engrossing melodic pull that touches on both rousing folk and atmospheric key work, “March” is a track from Redwood, a Belgian musical project led by frontman Marlon Sinnaeve. “March”

Beach Language – “Be Afraid”

“Be Afraid” is the first single off Small Talk, the debut album releasing on June 18th from Oklahoma City act Beach Language. A strong first showing, “Be Afraid” develops from shimmering, sporadic

Faux Canada – “Stockton”

Liars' Teeth by Faux Canada “Stockton” opens the new EP, Liars’ Teeth, from San Francisco quartet Faux Canada. Its fleeting, sporadic guitars mesh with a melodically charismatic vocal presence, with bass and

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