lombard by Don't do it, Neil Emotive vocals, guitar strums, and videogame-friendly synths comprise the engaging arsenal on “lombard”, a new track from Philly-based project Don’t do it, Neil. “This song’s about
New Tracks
The bouncy and enthusiastic “Red” is the latest showing from Good Days, the New York-based duo who previously impressed with the hook-y “Love Soaked World” in December. The duo of Eric Ronick
Iuliano’s new EP, Hidden Roots, is a stirring release that shows aspects of jazz, rock, and soul in its rich and emotional sound. “I started this project as a testament,” says Iuliano.
Eric Frisch’s catchy and heartfelt indie-pop has been featured several times in the past, the NYC by way of Toronto artist continuing to blend classic pop influences with a modern take steeped in
Justin Shapiro’s new album, Campfire Party (available on Spotify here), has been over a decade in the making. Shapiro, a Washington DC native, has been a part of the local scene since 2007
The video for Firstworld’s new track “Not Obvious” dropped today, its aesthetic blissfully reflective of the South Florida-based project’s chillwave-friendly aesthetic. Chilled-out vocals, a tight bass line, and nocturnal synths help form
Carter Vail’s “Melatonin” is a gorgeous track whose twinkling hook reminds of being hit by warm sunlight on a wintry day. Suave, subdued verses lead into this blissful chorus, with the escalating
Tell are a new two-piece from Brooklyn, who plan on releasing a 7-song EP in the upcoming months. If new track “Ivory” is any indication, Tell will be rising quickly throughout the
New Albums
Bristol singer-songwriter Elly Hopkins makes a striking debut with Animal, a five-track EP that fuses rock charisma, Americana warmth, and soulful lyricism.
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Billy Peake‘s new album Manic Waves delivers a captivating mixture of hooky rock, nostalgic new wave, and sharp lyrical wit. Navigating personal
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Eric Angelo Bessel crafts an enveloping ambient sound across his second solo album, Mirror at Night. We have been anticipating the album
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Swedish band Killing Kind consume across their second album, Being Human — strutting a darkly impactful melding of post-punk and synth-driven entrancement.
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