Owen Duff just released two previously unreleased tracks from his new album Witches: “Dalston Crazy” and “Julia.” The London-based singer/songwriter impressed already with “You Amaze Me” and “Flawed Men” in recent months,
New Tracks
I'm Fine, I'm Fine by Dialup Ghost The emotive vocals and jangly guitars to start Dialup Ghost’s “PPSSP” exudes a vibe reminiscent of Teenage Fanclub — and enjoyably so. I’m fond of
The first single from Andrew Goldring’s debut album Fluorescent Memories, “Chemical Spirit Connection” is an upbeat indie-rock success whose lyrics recall a strange encounter one night at the neighborhood dive bar. The
Badison is a project from Düsseldorf, Germany with an audible fondness for nostalgia — particularly the sort that transports you to a rainy night drive in the ’80s. Dora, who fronts the
“Welcome to the Dystopia” is the first released track from Zach Schimpf’s forthcoming album, which is releasing song-by-song. The St. Louis-based musician first caught my ear in 2012 with “Movin’ Right Along”
“Gun Life” is the debut single from Emperors of Rome, the duo of Dom Bouffard (vocals & guitar) and Alli MacInnes (vocals, guitar & drums). They met on tour with former bands,
In Anonymity by Daniel Wiggins “In Anonymity” is a showing in captivating rock-driven atmosphere from Perth-based artist Daniel Wiggins. Clock-ticking and ghoul-ish vocal whispering gives off an ominous feel to start, gripping
Text Me Back by Ugly Ghost Multi-instrumentalist/DIY producer Jake Perreault crafts an intoxicating blend of rock and pop with his project Ugly Ghost. The Providence-based artist impresses significantly with new track “Text
New Albums
Los Angeles-based virtuoso Bei Bei and London-based producer Paul Elliott celebrate the Lunar New Year with the cinematic ambient-fusion album Two Moons.
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Joseph Schwartz showcases a unique versatility on the Superhuman EP by reimagining a single high-quality composition through multiple stylistic lenses. From the
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An excellent debut EP from Insignificant, Become struts a memorable folk sound across its seven tracks. From the ghostly acoustics of “Ourselves”
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