Sydney, Australia-based Spilt Milk are a trio quite ahead of their years, as they’re in their last year of high school and already cranking out quality indie-rock with their debut single “The
New Tracks
“Look Up, Paradise” is a gorgeous, sample-laden effort from London-based Channel Swimmer, whose music video was culled from Miami tourism promos from the ’80s and ’90s, to mesh with the sun-tinged nostalgia
“I’ll Stick With You” is a great showing of the atmospheric power conveyed by Last Days of Elvis, a project originally formed in Glasgow, Scotland by Andrew Stark and Seán Gallen, who
Radio Macbeth are a lo-fi indie-pop/rock act hailing from Oregon, whose new track “Vapor Trails” is via their new album Bubblegum Wasteland, releasing September 1st. They appropriately describe this one as “an
Noisywaters are a duo based out of Bellingham, Washington, comprised of harpist Will Barrett and Benza Maman on vocals and keys. They merge infectious trap beats with dream-pop, with the harp element
“Hello” is the impressive debut single from The Max Tribe, a group that formed in 2013 when Nashville native Austin Max (guitars/vocals) united with Austrian-born Conner Kessler (drums) at Berklee College of
Sunset Exotic, the solo project of Santa Rosa-based producer/composer Charlie Foltz, shows fuzzy infectious charm on his fourth single, “High Fidelity”. Written as an ode to a relative stranger who left him
“Gasoline” is a just-released track from The Federal Empire, who impressed last month with the single “What Are We Fighting For“, a riveting effort with a stadium-sized chorus and sampled old church
New Albums
London-based guitarist Titus Maz digs into late-night introspection on his excellent album Midnight Station. Blending modern jazz, groove fusion, and cinematic textures,
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Prague-based label Kitty Kant Collective unveils Compilation Volume Two, an 18-track solarpunk cassette and zine. Moving across garage-punk, folk, and ambient textures,
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New Orleans-based band The Drupes deliver a stellar self-titled debut album. Fusing ’60s-revival pop, harmonious rock, post-punk, and Britpop charm, the guitar-driven
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Swansea-based multi-instrumentalist Tom Emlyn’s album Passing Craze showcases his prolific, wide-ranging songcraft. Blending 1960s folk-influenced melodies, spacey synths, and touches of piano,
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