San Franciso-based project Mendonesia show a timeless assortment of psych-leaning classic-rock and twangy country influences on new track “Evangeline”. The track is the second single from forthcoming album Spirit Van, out March
New Tracks
Eric Ronick and Michael Cannova comprise pop duo Good Days, formed in New York though enjoyably conveying a breezy West Coast sound showcased on exuberant new single “Love Soaked World”. Brass flourishes
“Come On, Honey” is a lush and captivating new track from Brooklyn-based folk/alternative act Allegra Krieger. The act is “inspired by a life lived transiently and freely.” Krieger’s serene vocal presence combines with
Seattle-based singer/songwriter David Guilbault rides on suave vocals, a buzzing bass, and spurts of melodic guitar on new track “Gimme More Time”, one of many releases this year for him (with ten
Australian singer/songwriter Grace Turner shows a haunting, hypnotic vein of folk on new track “Angry”, her striking vocal presence being immediately captivating. Somewhere between the ghostly allure of Marissa Nadler and the
Kitchenette, the project of Amsterdam musician Chris O. Kikic, impressed this past August with “Upon the Shoulders“, recalling The War on Drugs with its excellent “woah-oh”-ing hooks, lush organ backing and hypnotic
“Time Was On Our Side” is a shimmering collaboration from two rising acts. The vocals of SHoTA LoDI are lush and nicely integrated under the climactic dance-laden production of NYC duo The
Grey Watson is an artist from Birmingham, Alabama, presently making music out of Seoul, South Korea. “Radical Passenger” is a successful new track of his, with a lush introduction being guided by
New Albums
Mon Rayon’s lovely debut album Image Repertoire brings together an affection for classic pop songwriting and carefully arranged orchestration across the Swedish
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Wade Easy’s absorbing new album Honey Venom is a psych-rock success steeped in hypnotic guitars, meditative rhythms, and understated phrasing, drawing its
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Wichita, Kansas-based singer-songwriter and guitarist John Ross McEwen presents Late Bloomer as a deeply personal full-length shaped by intimate acoustic songwriting and
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Berlin-based WELTSCHMERZ pairs warm, melancholic hip-hop with organic instrumentation on Refugium, a four-track instrumental EP. The project’s reflective approach is informed by
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