NYC trio Dog Trainer impresses on their new track, “Graffiti” with a range of lo-fi acoustics, natural percussion, and vintage synth whirring– a preview of the act’s upcoming EP Apartments, out on
New Tracks
Based out of Elon, North Carolina, Cloud Hands is a five-piece with a penchant for bright, fluttering melodies that aim for both accessible hookiness and more ambitious jam-rock aesthetics, the latter especially
Last autumn, Neil Burns (Comrade Hat) impressed with “Old Amsterdam“, a lush, bittersweet ode to the eponymous city that touted a chillout lounge-friendly sound. His atmospheric prowess was evident then, and is
To Feel Love is an album that has been in the works for two years, beginning shortly after the death of the artist’s father. Not much is known about the London-based project
Los Angeles psych-rockers Hearty Har showcase their bouncy, passionate sound on “Can’t Keep Waiting”, a catchy effort with snarling guitars, chugging rhythm section, and excitable vocals. Guitarist/vocalist Shane Fogerty wrote and produce
Minneapolis-based project Dreamspook has a 9-track debut album on the way this year. “Fear In Love” shows the project from Gabriel Jorgensen (formerly known as Ancient Mariner) as one with high potential,
Fresh off a great past year that saw releases like the infectious “Symbiotic” and captivating “Pennsylvania Winter Kills Us All, Again“, flowers de moon are kicking 2017 in solid form with “Scifi
Los Angeles IDM act zenxienz is the project of Hong Kong-born musician, producer, and songwriter Cameron Williamson. His stylistic direction pursues one reminiscent of Flying Lotus, where elements of psychedelia, hip-hop, and
New Albums
Led by singer-songwriter Dave Macleod, London-based project trainboy succeeds with a heartfelt, jangly allure on new album I Am Not Myself. Following
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Kansas City-based project Angie Fights Crime unveils a memorable rock sound across their new full-length album, To Be Beautiful. Written and recorded
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Singer-songwriter, poet, and filmmaker Greg Roensch melds narrative depth and a stylistically eclectic palate on his new full-length, Down at the Polystereophonic
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New York-based Canadian artist Melissa Geurts creates what she calls “nervous system anthems,” set within a consuming dark synth-pop aesthetic. Her sophomore
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