Portland-based BESOS captures a laid-back vein of sophisti-pop, relatively reminiscent of a subdued The Style Council, on new track “To Ur Self (LIE)”, a piece of melodic ear candy with jangly guitar shimmers
New Tracks
LA-based duo Cosmos & Creature and Minnesota-based producer Attom have collaborated on a lush electro-pop collab, “Dive”. Their mutual vocals merge over a tranquil synth lead in the bridge, with a woodwind
The Brothers Moore are brothers Bobby and Billy Moore from Tulsa, Oklahoma. The brothers just released their debut EP, Careless, this month. The release’s self-titled track is a great showing of carefree
San Francisco act Revolushn explore an engaging mixture of psych-rock and hard-rock on their new album Further!!, with lead track “Dinosaurs” recently scaling the Hot 100 Next Big Thing list on Spotify.
We last checked on California rockers The Great Escape in 2014, upon the release of their self-titled album. Now comes their new album Universe in Bloom, a step forward that’s headlined by a
“Hey Doll” is a hook-y piece of songwriting from Pittsburgh rock artist Freddie Nelson, who first gained recognition in 2010 after collaborating with guitarist Paul Gilbert (of Racer X and Mr. Big)
MSTR MSTR are psychedelic act from Brisbane, Australia, who showcase a highly impressive sound on the newly released track “All That You Ever Want”. Spacey guitar frequencies, seemingly in reverse at points,
Hello Sleep by Patchwork Guilt Patchwork Guilt’s 2016 track “Gold Books” drew me to an impressive singer/songwriter with lofty potential, with Phoenix Mundy’s tendency for powerful ethereal vibes, playful ’80s-inspired synth tones,
New Albums
Los Angeles-based virtuoso Bei Bei and London-based producer Paul Elliott celebrate the Lunar New Year with the cinematic ambient-fusion album Two Moons.
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Joseph Schwartz showcases a unique versatility on the Superhuman EP by reimagining a single high-quality composition through multiple stylistic lenses. From the
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An excellent debut EP from Insignificant, Become struts a memorable folk sound across its seven tracks. From the ghostly acoustics of “Ourselves”
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