“Watch the Marble” fall is an engaging recent single from Fozzy and the Fairies, via the album Birdsong. A warming, vintage character arises in
Prancing synths and twangy guitars complement a debonair vocal presence on “We’re Worth It,” an engaging new single from Bryce Styan, an artist based
New Orleans-based act People Museum build a steady entrancement on new track “Magnolias Meet Me.” Claire Givens’ powerful vocal presence is complemented by simmering
The debut single from Los Angeles-based singer/songwriter Franc Loz, “Crossroads” traverses across an array of burgeoning guitar twangs, steady acoustics, and piano flourishes. “This
"Hatillo 2" is the latest single from Icarus Phoenix, continuing to showcase the Baltimore-based project's penchant for emotively gripping songwriting regarding life's most sensitive
Two recent singles from Los Angeles-based artist Sahara Grim showcase an atmospheric serenity within heady thematic pursuits, taking inspiration from classic folklores and fantasy
Melding folk and rock within lyrical explorations of infatuation, “Camped Out” is a resonating new track from The August Arrival, the solo project of
Showing an arsenal of introspective folk and vintage rock warmness alike, “Glass Eye” is a new single from Sean Davis Newton. The track comes
Brooklyn-based solo project Oh Canal combines lush acoustical introspection and twanging guitar delights on “Moth Song,” conjuring a sound reminiscent of Andrew Bird in
“Sierra’s Song” is a warming folk track from Brian Mathew, described by the Denver-based artist as “a uniquely earnest and special song I wrote
