The second single from Toronto-based band The Breakables, “Local Radio Sunday Proud” melds harmonious rock and intriguing chamber-pop elements with cathartic impact. “Told his
“Languish” is a twangy slice of delightful power-pop from Plans to Sand, described by the Philadelphia-based band as “an unconventional love song to those
A track called “Sunny Sunshine Song” would suggest a type of audible radiance — and that’s precisely what this power-pop gem from Pearly Gates
A replay-inducing sound envelops on “Good Times,” a baroque-touched power-pop gem from The Marley Woods. The St. Louis-based band craft a sound fit for
A jangling power-pop appeal shows on “Betty and Steve,” a strong new single from Ubiquity Machine. Mixed by Grammy-nominated engineer Martin Cooke, the track
Peppy guitar swipes and gorgeous string infusions lead a fantastic production on “Rich Kidz,” a new single from Phoenix-based artist SURESON. Power-pop, chamber-pop, and
Los Angeles-based band The Toxhards ask “Should We Get A Dog?” with their latest single, meshing a charismatic rockabilly throwback with a raucous power-pop
“For a Band I Once Loved” is a no-frills, charismatic rock success from Short in the Sleeve. The Memphis-based band traverses from a throwback
Toronto-based rockers Quirks enamor on newly released single “Hollywood Was Right,” infusing bright organs, radiant vocals, and nostalgic guitar twangs for a melodic appeal.
Swedish act Ginko Bugs‘ strong songwriting is on display with “Close In October.” An outpouring of relatable emotion swells within an effervescent power-pop and
