“Why Did I Say Goodbye” was brought to my attention by the excellent Johan Agebjörn, producer of Sally Shapiro’s acclaimed Italo disco-inspired releases, which range
Most of the vocal additions on Latimer House’s debut single “Shake!” are mumbled or otherwise incoherent, apart from the steadfast exclamation of “shake!” acting
Even though The Knife seem to be the current face of oddball Swedish electronica, the scene is thriving with plenty of other talented groups
When you collide the jangly guitar-pop of The Housemartins with David Bowie’s spacey ambition and David Byrne’s idiosyncratically melodic vocals you get something along
Very Americans are a group out of Harrisburg, PA capable of grandiose alt-rock efforts like “Without A Trace”, a track that shows their ability
Australian producer Kosta Andreadis (Kbit) specializes in a highly atmospheric hybrid of downtempo and house electronica, exemplified well within the swelling beauty of standout track
“Junior Code Course” is an absolute blast of a track that reminds of power-pop’s great heyday. Y’know, back when groups like Teenage Fanclub, Big
Richard Tyler Epperson presents an eclectic alternative-pop sound that ranges from the acoustical flutters of a sentimental John Mayer track (“Hourglass”, “Rain“) to ambitious
Canopies was one of my favorite discoveries of 2011 with their fantastic track “Rebels“, an anthemic synth-pop stunner that drew comparisons to groups like
You may remember Vizier from his exceptional nocturnal effort “Tonight“, which showcased his production chops and grasp of various electronic hybrids, from Knife-like icy
