If you’re a fan of guitar-forward jangle-pop tracks with a relatively nocturnal vibe (Wild Nothing’s Nocturne accomplished that, apt title and all), then you’re
Collin Cairo’s individual style sounds very alive, featuring “analogue synths, unconventional guitar, operatic vocals, and Jamaican dub samples with a retro-futuristic homme fatale sound”,
As the title may suggest, “1996” is a highly nostalgic ode of sorts — a melancholic “throwback to youth and growing up, accenting on
LA-based electronic project Native Gold is comprised of longtime friends Lee Young and Michael Weeks, both originally from South Euclid, Ohio. They began sharing
Cole Randall’s “Our Golden Years” evolves from a barren acoustical stride and Randall’s airy vocals into a rousing development of evolving percussion, symphonic flourishes,
Although Eagle I Stallian are generally more known in hard-rock circles and Quilla is an electronic producer/lyricist, both projects converged for a very beautiful
“Doors” is a delightfully haunting effort from Digit + Stas, the Brooklyn-based project who was previously featured with their track “Where“. The ghostly croon,
Jo Marches is led by Johanneke Kranendonk, a Netherlands-based songwriter who is inspired by a variety of decades and styles, ranging from the “experimental
Night Drifting is the solo project of Amit Pandey, who pursues a mood-driven sound without any sort of stylistic barrier. The slow-crawling “Just Because”
“Glowing Eyes” is the first single and self-titled track off Tropic Harbour’s debut LP, so it’s essentially an introduction — and a memorable one
