“High & Low” is a slab of fuzzy garage-rock brilliance, where suave vocals, a twangy guitar lead, fuzzy rhythmic backing and a swirling organ
“stingrayface.” is a fun and loose rocker that serves as the closing track from The Bottom Feeders’ self titled debut EP, released in February.
I really dug Aubergine Machine – the collaborative project of producer Ian Carey and vocalist Shanti Ellis – upon finding them in the summer
bitter’s kiss previously two featured tracks – the upbeat and spring-y “No One Will” and the lush rainy-day yearning “Love Won’t Make You Cry”
LOVING by LOVING LOVING’s gorgeous eponymous debut release presents a laid-back alternative lo-fi sound, its stylistic approach reminding me fondly of Little Joy’s 2008
Somewhere in the midst of King Krule’s darkly developing soundscapes, Mac DeMarco’s suave psych-friendly delivery, and Dent May’s funk-laden infectiousness, Matt Elleray’s stylistic approach lives.
Crystal Embryo by Sing, Bird of Prey Sing, Bird of Prey produce fluid and melodic indie-rock out of the Lehigh Valley/Poconos area in PA,
Jovana Golubovic is a singer/songwriter presently based out of Vancouver, and originally from Croatia (where the music video for her new track “You and
With the track’s commanding and reverberating vocal presence, saloon-style keys, and swift harmonica use, “Arms of a Kind Woman” sets a memorable presence. The
“The Other Side” is a soaring single from Reed the Martian, an artist based in Kansas City that incorporates spacey electronica and hip-hop into
