Following the striking success “Stuck,” NYC artist Mark Evich again impresses with the suavely infectious “Backseat Love.” A swanky initial beat gives way to
“Queen of the Sky” is a moving folk effort, featuring strings and dual-layered vocals in addition to the brooding acoustics. The track comes from
Erich Mrak has thoroughly impressed in the past with a number of tracks, , and his new track “Fake It” succeeds as well. A
“Lewis” is an understated, beautiful track with jangly guitar-pop appeal from Teal Moss, the project of writer/producer Steven Fischer. This track comes via the
“The Work” begins with murky engrossment, as lingering strings permeate alongside minimalist percussion and sporadic vocals. Exuberant brass emerges from the darkness, for just
Aubrey Plaza by Ugly Ghost Described as a track that’s “about the moments you miss when you aren’t present in the moments you’re in,”
UK guitarist and multi-instrumentalist Will Newman impresses on new track “Bite My Lip,” touting an aesthetic that successfully merges several stylistic influences. There’s a
Casey Chandler’s Galapaghost project again impresses with “Jellyfish,” where aquatic, twinkling synths combine with mellow vocals for a very pleasant listen. Whereas the project
Berkeley-based Crooked Flower showcase their suave, confident sound on the track “Around and Around,” accompanied by the music video above. Angie Dang’s entrancing vocals
Passionate vocals and vibrant acoustical trickles begin “Don’t Mean Broken” with intriguing appeal. A drum fill and bass entry emerge around the 50-second mark