Abandoning his overly-tenacious "50 States Project", and going through some rather public digression away from the idea of an “album” or “song”, Sufjan Stevens
With their third album Wilderness Heart, Black Mountain produce something memorable with a feeling of passion behind every song. Overall, it has successfully achieved
Of Montreal's tenth album is their most accessible yet, offering a meshing of cohesiveness and ambition that coincides with the band's idiosyncratic sound. Kevin
If Funeral was the personal homage to life, love, and loss, as Neon Bible was a straight shot at the gut of political immoral
As Kula Shaker's first album in three years, Pilgrims Progress shows the band at their very best since releasing their 1996 debut. On paper,
By jumping from experimentation to nostalgia and back again, Wavves' King of the Beach can match and will possibly eclipse the success of last
Though it offers the witty quips and melodic hooks one comes to expect from The-Dream, his third album is not a risk-free production. His
The Divine Comedy's tenth album, Bang Goes the Knighthood, offers no surprises for longtime fans. As usual, Hannon's wit and playful observations find success
After dozens of hand-crafted releases, Ariel Pink has emerged with an exceptional album that polishes up his lo-fi production values without sacrificing the ingenious
The Dead Weather follow up the excellent Horehound with an interesting but flawed album that relies more on derived techniques and reverb-heavy production than
