While still exploring the promiscuous ego of Georgie Fruit, Kevin Barnes cycles through their new EP, thecontrollersphere. Though he claims that the release's songs
The King of Limbs contains some of Radiohead’s most fascinating material to date, even if it lacks the infectious aspects of rock and electronic
If I were to play Dirty Beaches’ debut full-length, Badlands, loudly in my apartment, my neighbors would likely suspect one of two things. Either
“Is your heart too big for you to know that its broken?” asks Mat Cothran (sole member of Coma Cinema) on the yearning denouement
If you find yourself tiring of familiar sounds while sitting atop the peak of modern critically acclaimed psychedelia, consider Young Prisms’ debut Friends for
Describing something as “epic” is generally trite in music criticism, with a few notable exceptions. British Sea Power are one of them. Their masterful
Dan Bejar's ninth LP under the Destroyer moniker may be his most interesting yet. From spacey electronics to acid-jazz, his eclectic yet cohesive range
There are occasions in the girl group canon when the genre, so wholly given over to the ephemeral, will unwittingly create something briefly sublime.
Christopher Owens reached indie-rock gold by the end of last year. After steadily putting out a handful of singles throughout the year – “Hellhole
Avey Tare’s debut full-length sounds like it was recorded in some submerged swamp, where the croaking of frogs and buzzing of flies is enough
