There has been a disturbing trend with a number of bands I like. In the past few years, many of them have softened their
The Antlers’ previous release, Hospice, was so emotionally stirring that listeners felt personally close to frontman Peter Silberman, like he was a longtime friend
If you asked me about a year ago if I’d want to review the sophomore effort from the Portland-based Fleet Foxes, I’d have told
Cass McCombs’ fifth full-length, Wit’s End, is a natural progression. His early material showcased an infatuation for intricately produced psych-rock, never becoming indulgent enough
About nine years ago, it became extremely uncool to like Fleetwood Mac. This pop/rock/soul band created some of the most emotional, daring, bold music
The opening moments of Nine Types of Light is telling of the rest of the album. Unlike previous TV on the Radio releases, there
Tomboy begins shrouded in uncertainty. Noah Lennox’s words – “know you can count on me” – sound suspiciously like “no, you can’t count on
With Build a Rocket Boys!, Elbow have not returned with more arena-filling choruses, beautiful as they were. Instead, their fifth full-length boasts a sparser
It’s simply not often we’re given an album that wades through the ether of the unknown and uninhibited. This is why when Collin Stetson
Best of Gloucester County is an enjoyable and pleasant album, but its depth is limited. The moments of spiritual brevity are generally ephemeral, resulting
