Following graciously in the steps of a phenomenal debut, Confess continues George Lewis, Jr.'s emergence as a talented songwriter and performer with a penchant
Sindie 4 tread everywhere from Wire’s concise punk to Roxy Music’s sophisticated touch of glam, from swirling organ-led psychedelia to hazy British Invasion. The
Mr. M is Lambchop’s first album since OH (Ohio), which is now four years old. They are one of the most consistently extraordinary bands
It feels like decades since The Explorers Club released their stunning debut, Freedom Wind. Truth is, it only came out in 2008, but its
Silver Swans are a duo from San Fran that excel in tightly constructed, electro-leaning pop gems. Despite the West Coast leanings, they sound like
Plumb, the fourth full-length from brotherly duo Field Music, sounds like one of their liveliest releases for two reasons. One is its clear and
The selling point and historical significance of Karen Dalton has rested entirely on the uniquely haunting timbre of her voice and the restrained brilliance
On his tenth studio album, nearly 20 years after he first hit the scene, Common is back with his best work since 2005’s Be.
Human Switchboard’s Who’s Landing in My Hangar? is one of the few tenuously Cleveland connected punk/new wave classics to lack a proper reissues. Bar/None
Haven’t we all gotten tired of that generic tinny lo-fi garage guitar sound? Upward and onward to newer and more glorious fuzz, I say.
