It’s fitting that a group called LABS began as an experiment. According to the band, what began as a collaboration between Lindsay Bryan (vocals)
Blending ’90s electronica and trip-hop beats with glistening modern pop production, the brother-and-sister duo Gem and Eye sound like they’ve recently crash-landed here from
Hectic tribal percussion, distant vocal yelps, and an ominously frantic piano progression kick off the richly atmospheric “Falling”, the new single from Toronto-based electronic
Hazy psych-addled layers of guitar combine with a lush swelling rhythmic backing to craft a very enticing intro for Ian Aware’s “Window”, a fun
flowers de moon is a project that captures the sounds of the past few years in electronica and transforms it into their own mellow vibes.
Over the past couple years there’s been a growing fascination with indietronica and – more specifically – soultronica, which features R&B-inspired vocals over polished
On the tantalizing “Through the Yard”, producer and singer Kauf (aka Ronald Kaufman) creates an atmosphere that’s both archaic and futuristic; that may sound
Justin Jennings and Joseph Vitterito comprise the project FLAUNT, formed via social media. Their first album, CODON, was “mainly instrumental turntablism”, with Jennings’ vocal
UMIAQ is the brainchild of L.A.-based producer Samuel Murphey, who plays with the various elements in the electronic spectrum throughout the colorful track. Just
climactic percussion and anxious bass-synths envelop the soundscape as the track begins, creating a rather unsettling but melodically precise effect that leads well into
