Black Seas’ introduction hooked me immediately; they said their music “features big shoegaze-y guitars and melodramatic vocals” and noted they “love Felt, MBV, and
Growing up in Detroit, Meniyka Kiravell found an enjoyable escape in the world of fantasy books and theater, which eventually led to her ultimate
Pounding percussion, dexterous guitar runs, and an overall sense of well-constructed madness permeate throughout “Weaponization of a Star”, an instrumental effort from Sacramento-based group
California Death by California Death Hailing from Richmond, Virginia, California Death is a four-piece that produces a wonderfully hypnotic blend of dream-pop, psych-rock, and
Immediately, “Talisman” soothes listeners with waves of warm, gauzy guitars. Combined with the near-cooing of the vocals’ fragile touch, the gorgeously mysterious atmosphere is quickly
boy by fou It’s nice to hear some new material from Fort Werth-based dream-pop group Fou, who impressed two years ago with their track
Turkish group Tatli Patatesler merge shoegaze and indie-pop aesthetics to create a stunningly gorgeous sound. Together for just over a year at this point, their
Portland-based group Souvenir Driver label their sound as “bliss-pop”, a self-professed hybrid of shoegaze, post-punk, new wave, psych, and pretty much whatever else they’re
Under the moniker Hazy Mountains, Julian Prott makes elegant use shoegaze, electronica, and guitar-pop. Prott describes his own sound very well: “It’s a mixture of electronic
Colours is the shoegaze-y project of Tom Crandles, who has molded his own form of industrial shoegaze into a resounding success with “You Can’t
