London-based act Shai Brides compel with dynamic pop allure on new single “Little Things,” spanning from bass-fronted suaveness into glistening bursts of harmonious effervescence.
An introspective, late-night rock sound takes hold on “High,” a new single from Aidan Rhys that explores the emotions arising from repeated “failed situation-ships.”
A playful reggae and alt-pop fusing shine brightly on “Same Story,” the new single from Distorted Waves, a band based in Santa Cruz, CA.
Alt-rock vigor and spacious jangly introspection alike enamor on “April 3, 1974,” a new single from Sanford:. The release kicks off the artist’s upcoming
Get ready to feel the adrenaline rush because The Trusted is back with their latest single, “Self Destruct.” Straight out of Southend-on-Sea, UK, this
Two cuts from Canadian band In Sylva and their memorable debut album She, “Honest” and “Island” embody the act’s knack for balancing melodic alt-pop/rock
An accessible electro-pop drive engages across “Eye Mask,” the new single from Brett Altman. Representing the fourth single from upcoming album My Way Out,
“The British Museum” is exemplary of the eclectic stylistic pursuits from UK-based band Small Black Arrows, spanning from dream-pop twangy lushness into an excitable
Nashville-based artist Nick Noon struts a no-frills rock charm on new single “Who Needs Who,” whose charismatic vocal tone and buzzing guitar tenacity encourages
Melbourne-based band Catholic Guilt unveil a crisply emotive pop and rock appeal on new single “I used To Be Someone,” releasing in partnership with
