Quiet The Pilot is Los Angeles-based Ryan Moore’s solo project. His new track “Give Me Time” is a quaintly infectious, slow-burning success with a
Jane Machine’s “I Hope We Win” is her introduction, the first release off her first LP. She describes the track as “sad danceable pop
The Caress are an act of three brothers – Tom, Ben, and Sam Easton – from New Cross, South East London. They formed the
Ridgio’s new track “I’m Just A Man” touts a beat that reminds of the lush, springtime psychedelia on Avalanches’ Wildflower. The Chicago-based rapper has
Vancouver art-pop quintet Only A Visitor just released their new full-length, Lines, today. Fronted by composer/arranger Robyn Jacob, the act has performed at festivals
San Francisco-based Nick Schott’s new track “Empathic Hunter” begins fairly unassumingly, with a tight funk-tinged rock arsenal. The chorus, though – both in its
“OLYMPIA” is a bright piece of pop with a spacey allure, with a sound that resembles a hybrid of J-Pop sugar-sweetness with Muse’s spacey,
Dome Hall, a five-piece out of Newcastle, achieved acclaim with their debut single “Marske Woods”, going on to secure support slots with the likes
Premiering yesterday on buzzbands.la, The Federal Empire’s new single “What Are We Fighting For” is a fine effort centered around a stadium-sized chorus and sampled
“Seventeen, Baby” is a stunning track from Papyllon, a young band from Prešov, Slovakia. It hooks from the get-go, with late-night brass and a
