A “lament on modern day (mis)communication,” Madeline Tasquin’s gripping track “Future Telephone” meshes her lush vocals with an eclectic stylistic grasp that reminds of
G.H. Hat has traversed across every genre imaginable as a producer, remixer, composer and performer, with hundreds of releases under his name. His entry
Impressing previously with “In the End” and “Hangup Blues“, both captivating efforts with a bluesy organ-laden feel, Boston trio Wake Child pursue some exciting
The brightly infectious “So Good (I Could Die)” turned me onto J Bengoy this past May, showcasing a fun-loving twang reminiscent of Wilco and
LocalBlac is the captivating hip-hop vehicle of Los Angeles-based Travon D. Bryant, who previously released under the name Blac Negus. Stylistically, his fantastic new
Crunchy guitars lend an immediately nostalgic, alternative-rock vibe on John McCabe’s new track “Too Late”, released as part of his Flower Circle EP and
Coulter Monsell is a multi-instrumentalist capable of stirring soundscapes and rich melodic development. His debut album, Create or Destroy, features a variety of tracks
Based out of Jackson, Mississippi, Monsters and Miracles are an electro-tinged pop act led by producer and multi-instrumentalist Jon Dray Lee. On new track
Los Angeles-based artist Miriam Tamar has teamed up with producer Morsy for a captivating take on her two tracks “Who We” and “Firedance”, with
’80s guitar tones and a galloping bass line establish a fun, nostalgic vibe on “Where Were You? (Artwork Censored)”, the newest effort from Les
