The selling point and historical significance of Karen Dalton has rested entirely on the uniquely haunting timbre of her voice and the restrained brilliance
There are respectable entries to the Christmas canon that get some love from the general population. In 1963, A Christmas Gift for You from
Human Switchboard’s Who’s Landing in My Hangar? is one of the few tenuously Cleveland connected punk/new wave classics to lack a proper reissues. Bar/None
Haven’t we all gotten tired of that generic tinny lo-fi garage guitar sound? Upward and onward to newer and more glorious fuzz, I say.
New Wave before New Wave had really solidified. Sort of like Springsteen, but sort of not. Perhaps it’s most accurately described as an offering
Ish Marquez is the hidden light at the end of the otherwise tedious anti-folk tunnel. He has the melodic gifts of Arthur Lee, but
All the Wrong People Are Dying is not actually an album, but a collection of the earlier Styrenes album A Monster and a Devil
Protest movements often result in music that is repetitive and uninspiring, if only for the small number of widely identifiable protest songs. You shouldn't
Of all the upstate NY bands to show promise in the last five years – only to fizzle out – did any show more
That Game Theory’s entire catalog is seemingly terminally out of print is a great travesty. Certainly they were one of the most important purveyors
