Chicago-based rapper Teddy Mac delivers an enjoyably dense hip-hop experience on his debut album, Job Not Finished. A dynamic array of beats, ranging from lushly meditative to ominously gripping, complements an introspective lyrical display. The album title references a Kobe Bryant interview and “the fact that we have inherited a flawed world and it’s up to all of us to make it better,” Teddy Mac explains. “It’s our ‘job.'”
The album opens powerfully with “30 for 30/Graffiti,” featuring an a cappella intensity that explores systemic oppression in its “crabs in a barrel” sequence while pondering societal expectations. Social consciousness permeates the track, critiquing unreasonable standards in relationships — “too much body count” — and a culture that’s “tellin women just be objects.” Teddy Mac’s delivery is gripping, transitioning seamlessly into political critiques targeting those more focused on maintaining oppression than enacting progress. His artful lyricism and dynamic flow leave a lasting impact.
“Did it Again” shifts to a brighter tone, with triumphant brass-forward beats complementing a melodic vocal drive. “I snapped on that 30 for 30 then came back and did it again,” Teddy Mac proclaims, exuding perseverance. The track builds on the theme of “30” — referencing both the titular documentary series and societal expectations at age 30, as echoed in the opening track. Meanwhile, “Statik Shock” exudes a suave yet sobering energy, its brass-laden production evoking a detective theme. The lyrics poignantly contrast the treatment of individuals like “that terrorist Dylan Roof” — “bought a Whopper with cheese” after his atrocities — and George Floyd. Teddy Mac delivers these social commentaries with precision and emotional heft.
On “Pressure,” the album dives into a darker, grittier tone with shades of Tyler, The Creator. “Y’all motherfuckers just hold me back,” Teddy Mac begins, his scathing delivery capturing suffocating frustration in references to smoke and gas. The track shifts into an intimate reflection on personal struggles and creative stagnation: “Some days I love life, then at night I wanna just quit / The years of alcoholism constantly haunts me and shit.” This raw introspection highlights the struggle and eventual return to artistry, embodying the resilience that defines Job Not Finished.
The album’s tonal range is striking, from the breezy soulfulness of “Keep it Coming” to the late-night, jazz-infused vibes of “Seclusion.” Throughout, Teddy Mac’s riveting vocals and poignant lyricism remain consistent. “Division” is another standout, delivering commentary on societal divides before transitioning into a haunting final minute. The track’s juxtaposition of Emmett Till’s historical tragedy with modern apathy is especially poignant, underscoring the album’s central message: “I’m rapping to bring awareness to this world that we living in.”
Job Not Finished is a captivating hip-hop debut that blends eclectic sounds with a potent lyrical vision, cementing Teddy Mac as an artist with both purpose and prowess.
