A compelling art-pop release that impresses in its range of both colorful synth-pop energy and lush soundscapes, the Organs EP comes via Cycle Hiccups, the solo project of Alexandr Velikoselsky. A seamless spontaneity persists in its emotionally gripping songwriting and production, described aptly as “a body of work which is in fact organic: the instruments speak for the organs that naturally control them.”
“Back Then” commences the EP with a thumping intrigue, assembling spacey synth lushness and clanging bass. A bouncier pulse drives into the one-minute turn, as sporadic buzzes adding to the climactic swell. The spaciously inviting introduction gives way to an introspective vocal emergence, fondly reminiscent of Dan Bejar in its general tonal unfolding. The project’s dynamic charm is apparent from there, seamlessly expanding into a dexterous rhythmic uptick amidst the warming synth-pop glow.
The EP continues to impress thereafter, ranging from the steadily evolving “Bowery” to the distortion-laden immediacy of “I Stand There.” The latter is especially melodic in its melding of synths and guitars, developing into a delectably eerie vocal precision that builds into various layers and a soaring invigoration — overall reminding enjoyably of LCD Soundsystem at points. Like “Bowery,” “Whatever” enthralls in its general additions — intensifying in satiating form with budding vocals and spirited synth emissions.
EP finale “Escher” moves with a more contemplative engrossment, pairing throbbing synth-bass and percussive pit-pattering alongside a debonair vocal lead. “My contour in the glass is like my sibling,” the abstract lyricism lets out, driving into twinkling piano and blaring synth enticement as the conclusion nears. Organs is a compelling showcase in quality songwriting and production from Cycle Hiccups.
