Monotronic – ‘Looking Away’ EP

NYC-based band Monotronic unveil a hook-filled sound on their upcoming EP, Looking Away out on October 11th. Ranging from the breezy rock-forward title track to the synth-bolstered “Kids of Summer,” the EP engages with an approachably memorable sound, helmed by guitarist/producer Ramsey Elkholy.The EP includes four tracks, three of which will be on their upcoming full-length, Waiting For You, out in 2025. A stellar cover of Tears for Fears’ “Everybody Wants to Rule the World” rounds out the EP as a non-album offering.

Opening track “Looking Away” delights in its melodic drive and thematic reflections of perseverance. “Even though I’m chasing a monster, rear views are fading away,” twinkling keys and acoustics adorn the magnetic vocals, “navigating all the complications,” with seamless ease. The lyrics stir in their depictions of life’s highs and lows — and how the latter tend to pop up when everything is riding smoothly on the right track. Rousing guitar layers approach the two-minute turn with cathartic, anthemic qualities into playful synth touches — kicking off the Looking Away EP with compelling satiation.

The ensuing “Kids of Summer” jumps in with spacey synth stutters and a steady percussive pulse. Vocals entice something “deeper,” and “real,” as an atmospheric engrossment takes hold. “If you wanna run away, we can take off time today,” they continue as multiple synths layers buzz with infectious immersion. Tempting themes of escapism linger with a hooky synth-rock aesthetical precision for another standout cut, making for a strong one-two punch to commence the EP.

“Sun Song” continues the impressive songwriting. The contemplative, lying-in-bed setting complements a bass-y intrigue continues a sense of escapism — craving for a beach-side escape. Twangy guitars and piano complement a fantastic central hook, making for another replay-inducing moment on an EP that doesn’t let up in its engaging sound.

Mike Mineo

I'm the founder/editor of Obscure Sound, which was formed in 2006. Previously, I wrote for PopMatters and Stylus Magazine.

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