A serenely captivating sound shows on “Bitter End,” a standout track from bi-coastal project ANGLES and their debut album, Dream for Me. The collaboration between New York songwriter and bassist Preston DeGarmo
New Tracks
Brooklyn-based artist, songwriter, and producer Blushfire explores the tension between romantic surrender and self-protection on “A Storm the Size of Four Earths,” a theatrical art-pop single built around haunting synths and layered
Arizona-based band The Real Anthem blend synth-driven melodies, atmospheric guitars, and soaring lead performances on "Damage Control," a hook-laden alternative-dance single.
Delighting in its immersive atmosphere and climactic development, “Greaseball” is a cinematic instrumental by composer and synth artist Gianfranco Malorgio, featuring Moreno Viglione’s evocative guitar work as part of a trilogy exploring
Leave the Bones, the ambient-folk project of Costa Rica-based songwriter Jeremy Bogen, pairs understated folk textures with twangy Americana instrumentation on “Heart On My Sleeve,” building from sparse acoustics into hypnotic guitar
A dreamy, fully immersive new track, “While I Drift” offers a hypnotic introduction to Fiona & The Glow‘s rich indie-rock and neo-folk palette, pairing spacey synths, warm bass, and guitar shimmer with
Brooklyn-based artist JOHN DORIAN captures the fragile tensions of love on “TWO SWANS,” a captivating chamber ballad produced by Michael Beinhorn. Warm synths, resonant performance emotion, and richly layered piano, fretless bass,
Chicago-based band Edens channel post-punk textures and Krautrock-inspired rhythms on “Metal Egg,” the final single from their forthcoming debut album Static Fiction. Inspired by René Magritte’s 1931 painting La Voix des airs,
New Albums
Swedish musician and producer Kristoffer Ragnstam, who records as They Owe Us, has spent over two decades in the alternative scene, supporting
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Stereotyping is the latest album from electronic artist Marek De Vann, also featuring Hammond organist Paolo Apollo Negri, released via influential Italian
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In The End is an emotionally raw EP from Australian outsider artist Hurb Jephasun, drawing on decades spent in Sydney’s underground music
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More People Than Teeth is the debut album from South London folk-punk band The Early Swerve, pairing infectious melodies, acoustic instrumentation, violin,
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